S
So
Thursday night in London was Sweeney Todd’s
European Premiere and the
third time I’d seen the film. It really does get better and better,
and, as I’ve
said here before, Depp’s performance feels even more magnificent the
more times
you see it. He does so much by doing (seemingly) so little. I know that
awards
shouldn’t be the definition of a great performance but it would, to my
mind, be
a crying shame if he didn’t win the Oscar this year.
—Mark
Salisbury
January 12, 2008
Is
Johnny Depp incapable of being boring? Regardless
of what kind of material he tackles, the man always seems to come up
with a
compelling, or at least an offbeat performance.
—James
Sanford
Kalamazoo Gazette, March 2004
Describing
the character of Victor Van Dort in Tim
Burton’s animated film Corpse Bride: “Here’s
a little fact . . .
that’s actually
Johnny Depp, not claymation. He’s that good.”
—Paul
Scheer
on the VH-1 series The Best Week Ever,
2005
I
don't know that he knows how good he is in that
movie. He was great. I mean he really looked great in that underwear. I
mean it
was just, you know, shooting going up his ass and up his back and his
hair, you
started thinking about Marilyn Monroe, when he had red hair, he looked
like
Sophia Loren.
—Julian
Schnabel
director, Before Night Falls
Johnny could not have
been cooler about the whole thing—I
told him what I wanted him to do, and he did it. He really loved the
story we
were telling and wanted to help get it told. I really admire him for it
and
really am grateful that he took the time to work with me on this.
—Julian
Schnabel
director, Before Night Falls
Johnny
was doing two other movies at the same time,
but he showed up in the middle of all that. And, he wouldn't let me pay
for
anything, either. I mean he worked for free, and he said just put it on
the
screen.
—Julian
Schnabel
He had that demeanor, like James
Dean—now I know how much of
a cliché that is, but it happens to be true in some cases.
He is a very cool
guy without putting much effort into being cool. He seemed to have an
attitude
that he was applying himself but that an acting career really didn't
matter to
him all that much, yet you could see it in his face that he was well
read, well
prepared, and giving the job every due diligence. It comes as no
surprise to me
that all these A-list directors now want to work with him—I
would love to work
with him again.
—Joel
Schumacher
executive producer, Slow Burn,
quoted
in Depp, by Christopher Heard
[Speaking
about the security
guard from the Mark Hotel incident] It seemed like this guy
couldn't stand
Johnny. Johnny dressed in leather and jeans and not all fancy like
everybody
else in the joint.
—Jonathan
Shaw
close friend and tattoo artist, Esquire April 1995
On set, Depp projects a warm, gentle
kindness and accessibility
that mark him as the true Kentucky gentleman and terrifically devoted
family
man that he is. His natural charisma also illuminated the proceedings
with a
special light that created a unique atmosphere whenever he was working.
Or, is
that Captain Jack Sparrow's charisma? Because in the middle of a
workday, it
was impossible for anyone—perhaps himself least of
all—to know where Johnny
Depp ended and Captain Jack began, and vice versa. For the nearly
two-year
period between the start of production on Dead
Man's Chest to the final wrap of At
World's End, Johnny Depp's smile was the same as Captain
Jack's, with the
character's trademark gold and silver teeth bonded onto his own.
Johnny is so totally different from
most actors. He really
likes who he is, and he is really secure in that. He treats people the
way he
wants to be treated. That's why we all stay with him.
—Michael
Singer
Unit Publicist for the second two Pirates
movies, and author of Bring Me That Horizon ~ The Making of Pirates
of the Caribbean, 2007
—Kenn
Smiley
Don Juan deMarco wardrobe person,
Vogue,
September 1994
Johnny
Depp’s performance is quite
remarkable. Sweeney’s desire for revenge and the simmering anger and
hurt that
he feels carry the story forward, and Johnny finds the most remarkable
variety
within that narrow set of emotions. The intensity is at a boil all the
time and
he never drops it. It’s real anger.
—Stephen
Sondheim
emanuellevy.com, November 2007
He
came from a rock band and even though he
was not a lead singer, I knew he was musical just from that. I also
knew that
he was intelligent enough from talking to him, that he would not play
this part
unless he could handle it vocally. I knew he was not about to get up
there and
have to have his voice dubbed or come off croaking. So Johnny Depp
casted
Johnny Depp. I trusted him entirely. I knew that he was no fool and he
would
only do it if he felt he could handle it. I told him to listen to the
score carefully
and if you can handle it, fine by me, and I was right.
—Stephen
Sondheim
London press interviews for Sweeney Todd,
November 27, 2007
What
better then a Victorian Opera about a
serial killer directed by Tim Burton and starring Johnny Depp!
Johnny
was fantastic. I took my youngest
daughter, who is 22, in on my last day of filming. He is a God to her,
and he
was so sweet to her. He chatted and kissed her good bye. He is so
lovely and a
bloody brilliant actor. He was delightful, as was Helena Bonham Carter.
It was
a fantastic experience.
—Timothy
Spall
actor, Sweeney Todd, Time Out,
December 5, 2007
The
big-name stars . . . are always
going to be playing what
they've played before if they want to remain so-called A-list stars.
That's why
someone like Johnny Depp is doing more interesting roles not caring
about the
size of the movie.
—Ben
Stiller
Sky Magazine, April 1994
T
I
know that Johnny Depp must open his mouth when he speaks, but after
I've seen
one of his performances, I can barely remember his lips moving:
Everything he
communicates seems to come from his eyes. And it's not that his line
readings
are inexpressive. Often, though, Depp uses his husky, shallow voice for
line
readings so hesitant—hushed, almost—that they seem
a mere
echo of what you can
read already in his huge, dark eyes.
—Charles Taylor
salon.com, May 1998
Depp's
best moments are when the camera just looks at him: in his first shot
as he
peeps over the top of Robert Benayoun's book "The Look of Buster
Keaton," or, in a moment to treasure near the end, as he swings past a
second-story window and, with gallant nonchalance, doffs his top hat to
the
lady inside.
—Charles
Taylor
about Benny &
Joon,
salon.com, May 1998
Johnny
Depp is a constant reminder of the joys and
perils of being a critic. When Depp began trying to build a career in
movies,
fresh from 21 Jump
Street,
most critics treated him as a joke because he was a
teen idol and a TV actor. The body of work Depp has been building, each
part
chosen with an eye toward stretching himself, reminds us that one of
the chief
pleasures the movies offer is the surprise discovering a
performer’s
possibilities—and the impossibility of predicting what
they’ll be.
—Charles
Taylor
contributing writer, salon.com, 1998
You
know, he does have a temper: don't get me wrong.
But the temper and the bad boy are very different things. And it's
like: If you
attempt to take something away from him, or attempt to cross his dream
in a
way, he'll fight! He will.
—Lili
Taylor
Arizona Dream
co-star, 1998
There
is
nothing about working with Johnny as an actor
that . . . um . . . starts to feel really comfortable or kind of falls
into a
rhythm, which is what I think makes him so brilliant. He would deliver
a line
and every single time it would have a different rhythm or a different .
. .
anything. Which is so incredible to work with because, for me, acting
is really
listening and responding to what somebody is giving you.
—Charlize
Theron
Astronaut's Wife
co-star,
Inside the Actor's Studio, January 2004
He is a really gorgeous man, but he
is also a wonderful,
instinctive actor. I loved watching him work, watching him layering on
the
complexities of his character.
—Charlize
Theron
The Astronaut's Wife co-star, quoted
in Depp, by Christopher Heard
Johnny
was always the passive centre of the activity
swirling around him. Ed
Wood
was a departure for him, it seems to me, to the
extent that he was the initiator and the enthusiast and the force
behind all
the activity going on in the movie. And it was a completely different
kind of
role for him.
—Caroline
Thompson
writer, Edward
Scissorhands,
1998
I noticed at once that Depp had a
dangerously energized
intelligence . . . He was a suave little brute, but he had a wicked
sense of
humor and a rare instinct for escalation.
—Hunter
S. Thompson
George Magazine, June 1998
I
didn't
know Johnny Depp could act until he played
me.
—Hunter
S. Thompson
November 2003
What I like about Johnny is he
follows his own thing,
sometimes to an almost crazy extent. [He
mentions how one winter night Depp took the writer's vintage fire apple
red
convertible and drove it from Colorado to Las Vegas.] It was
15 degrees out
and the convertible top was broken. And he drove that sonuvabitch from
here to
Las Vegas with the top down. He was determined . . . . I like the way
he
approached the bombs and I liked the way he wanted to take the
convertible in a
blizzard to Vegas.
—Hunter
S. Thompson
Entertainment Weekly, September 2003
Johnny
Depp is, to me, a rare kindred spirit with like
sensibilities, who has escaped the beast. He's probably one of the few
people
that have survived Los Angeles as a human being.
—Nick
Tosches
writer and friend, Le Musee Imaginaire de Johnny Depp, France 5 TV,
August 2002
Yes, he even knows some German
nuggets—“Have a nice evening; Have a nice weekend;
Do you
think I shit money?” Yes,
he really
said it.
There had been a
mention in the tabloid press a short while ago that he would have paid
440
Euros for a bottle of wine. One day he came to us and said . . .
abruptly, “Do
you think I shit money?” I almost rolled on the floor
laughing.
—Franziska
Troegner
Charlie and the Chocolate Factory
co-star, (from a German interview translated by Zoner Charly), August
2005
Johnny is very easy to work with and
very generous. There is
a real ease to his performance style. David Koepp gave us a lot of room
to do
our thing, and anything you throw at Johnny, he quickly catches and
tosses back
at you. He's very intuitive and inventive. As a performer, it's a big
advantage
to enjoy a common comfort zone with a fellow actor. We definitely had
that.
Johnny also has a great sense of humor. We enjoy some common interests
and
we've worked with directors with similar sensibilities. I've always
enjoyed his
performances and was happy to have the chance to work with him again.
—John
Turturro
Secret Window co-star, quoted in Johnny
Depp, A Modern Rebel by Brian J.
Robb
U
Johnny
Depp is such a nice guy. During
rehearsal he was moving around near me. I looked at him as if to say,
“What are
you doing?” He said, “I’m just making
sure I don’t block your light.” There
aren’t
many actors who would worry about that.
—Bernard
Usher
actor, Sweeney Todd
Johnny
Depp has always been a star.
Tim Burton's go-to guy
has won universal acclaim for a string of wonderful and original
performances
in films like Edward Scissorhands, Blow
and Sleepy
Hollow. But, without question, it was taking on the mantle
of Captain Jack Sparrow that made Depp the biggest movie star in the
world.
—Joe
Utichi
exclusive interview with Johnny Depp, July 2006